Monday, October 28, 2013

Swing Guitar: Part Seven


This is part five of my Swing Guitar Workshop which I will be teaching at the Folk Alliance Winter Music Camp this coming February.  Make sure to visit their website and get signed up for the camp.  There will be tons of great classes from local and national musicians on all types of music.

That Extra Something

When playing either solo or as an accompanist to another instrument it is sometimes a good idea to really try to take a song a long way to really bring out some of the chord movements.  This is particularly true with swing guitar.  To illustrate, let's take one last look at "Six Foot One" and see what else can be done.

A great move that I learned early on is one that moves from one chord to another that is a fourth away.  This particular move is designed around a moving bass note that is traveling up the scale from the starting chord to its fourth.  In "Six Foot One", we have two measures of A7 that eventually goes to a D7.  This is a perfect spot for this move.



Another move that we can use in this tune which is equally useful when moving a fourth is one that utilizes a 9 chord.  Check out this example:



Now, let's put that all together:



Here is a video to explain what is going on here.

Monday, October 21, 2013

Djangoloy with Robin Nolan and Howard Alden

This week I'm a little overwhelmed with lots of busy work.  To hold you over until the next Swing Guitar lesson, here is a video of Robin Nolan and Howard Alden talking soloing and playing the hell out of Djangology!


Monday, October 14, 2013

Swing Guitar: Part Six

Simple Moving Bass Notes

Six Foot One is a good example of a tune that we can use the simple concept of alternating bass notes.  As in many forms of music, bass lines can be very simple in Swing (they can also be very complicated walking bass styles). 

Alternating bass usually refers to alternating between the root (or tonic) note of a chord and the fifth as the bass of the chord.  To create the alternating bass style we are going to use a couple of chord shapes that we have already seen together.



If you don't remember the chords to Six Foot One, here is a refresher.



Now, let's look at how we alternate those bass lines.




And the video...



Notice how the alternating bass line moves the rhythm of the song.  This is really useful technique for adding that sort of moving or driving sound to your playing.

A word of caution, though...  When playing with a bass player, this sort of movement can really get in the way of the overall sound.  It's important to let the bass player be a bass player.  Just like it is important for them to let you be a guitar player!

That said, in ensembles where there is not a bass player, and especially when you are playing solo or accompanying a soloist, this method is really useful.  Just to play around with it, try not using a pick and just using your fingers!!!

~Danny

Monday, October 7, 2013

Swing Guitar: Part Five

This is part five of my Swing Guitar Workshop which I will be teaching at the Folk Alliance Winter Music Camp this coming February.  Make sure to visit their website and get signed up for the camp.  There will be tons of great classes from local and national musicians on all types of music.

Six Foot One, Tons of Fun

Again, we need to change names around.  I'm betting you know the tune. It's FIVE times as fun as a FOOTball game played by TWO leprechauns.

Hehe...

This tune makes a great teaching platform from the Circle of Fifths because it basically follows the circle in a dominant cycle.  Plus, after we learn the regular tune, we will come back to this and look at it with some fun bass note stuff in another lesson.

made with iRealb

 Just in case you didn't know, the symbol "N.C." in the last two measures of the B section mean "No Chord".  Basically, after you play the G7, there is a break there.  When I play solo, sometimes I will mute all the strings and strum (or scratch as I call it) to the bit to keep time.

Take a look at this handout I'm using for the class for an explanation of the chord shapes that I will be using.



Now, here is the example via SoundCloud:



Take a look at this and play around with it. We will get some variations into the tune in a future lesson.  In the mean time, if you have any questions, feel free to ask!

~Danny