Ten things every guitarist should master
1. Anatomy
This may not seem really important, but it is. You need to know how to do many things like communicate to guitar techs when there is a problem. Also, this goes further into buying the right strings, self maintenance, and even being able to finesse the right sound out of your instrument. Also, knowing what guitar will produce what sound, what pickups sound better for one style over another, what bracing patterns in acoustic guitars do, etc. Don't neglect this area of playing guitar.
2. Notation
Any method that is used to convey how to play a certain bit of music on your instrument is important to understand. There are many who will tell you to only learn tablature; that it is all you will need. But they are wrong.
You need to understand all of the following:
- Tablature
- Chord Blocks
- Neck Diagrams
- Music Notation
The last one is more important than many give it credit. Though it is true oat guitarists can have long, wealthy careers without learning this, you need to learn it. Music for every other instrument is written this way and you need to be able to communicate with them. Plus, in a studio setting, the player that can read music will be more valuable than one who doesn't.
3. Tuning
Again, it may seem simple, but you need to master this. Whether it is using a tuner or using your ear, tuning is very very very important! The best musicians in the world have what is called perfect pitch and can tune any instrument completely by er.
4. The CAGED System
These are your basic go to chords for most styles and you must have them under your fingers. Know the shapes for major, seventh, major seventh, minor, and minor seventh at least. But, you should venture out into the sixth, augmented, and diminished chords as well.
Along with the chord shapes is learning the scale shapes that the chords are built on.
5. The Major Scale
Almost our entire music theory system is based off of the major scale. Most guitarists can't play one shape of the major scale much less build chords or licks from it. Mastering this scale and it's many shapes and modes will open a world of possibilities to you.
6. Chord Theory
Once you have the major scale figured up, the next thing is learning how chords are created. Knowing this and having a firm grasp of it on the fretboard will make playing music and creating your own arrangements much easier.
7. Major and Minor Pentatonic Scales
These have been the go to scales for soloists in many styles for years. Mastering these scales and their shapes will get you soloing. Also, many tunes use a pentatonic scale within the melody which will give you a leg up when learning that tune.
8. Building Bass Lines
As a soloist, you will find yourself needing to play a duel role often when playing for yourself or comping for another soloist. Bass lines will help create a dynamic accompaniment. And, it will set you aside from other guitarists.
9. Sight Reading
Being able to play chords, melody, and a basic accompaniment with little or no run throughs on the music. This is another skill that will need to constantly be refined and practiced.
10. Listening
We often forget about this very necessary skill. I'm not talking about listening just to your playing or your band mates, but to every bit of music you can. Developing an ear for a lot of styles and what other professionals have already done will go a long way towards your mastery of guitar.
Tuesday, July 24, 2012
Tuesday, July 17, 2012
Simple Blues Backing Track
As I promised (or will be promising) my friends at the Northland Ukesters meeting, here is the backing track for a simple 12 bar blues in G.
Blues in G
Hope this helps you learn some soloing in G!
~Danny
Blues in G
Hope this helps you learn some soloing in G!
~Danny
Monday, July 2, 2012
Playing in the Pits
Today, I received the score for "Joesph and the Amazing Technicolor Dream Coat" to be performed with Gladstone Theater in the Park. This is Gladstone's 25 year doing free musicals and my eighth one playing guitar (did two others on trombone). Hopefully, it will be another good year.
When I first started doing this a few years ago ("Crazy for You"), I didn't know what I was getting into. Musicals are a different type of performing and will challenge even the most seasoned guitarist. Unfortunately, there was no how to guide for getting me ready, so I went it seemingly alone. But, as I went through my routine for preparing for rehearsals, I realized I should really share for those attempting to get into this realm of guitar.
Before I get into the routine, I feel I should preface a little more. It takes a lot of skill to play musicals. I don't, however, want this to discourage you from attempting one should you get the opportunity. You should just know that you are getting into some heavy stuff. You'll need a couple of skills to really be successful at musicals. I didn't have all of these when I started, but I've developed them over time:
First: Listen and Watch
If you happen to be playing a popular musical, odds are there is a video and a soundtrack out there. Go find it and make sure you pay attention. Remember that musicals use the music to tell the story so you want to understand what the song is about and what is going on. It might even be worth it to take a few notes.
Second: The Music on the Page
When you get your music, make sure it is in a format where you can make notes on it as you go. This may mean that you have to bend the copyright rules a little and copy the music if it is in a book. It's actually okay to do this as long as you are only using it for the show that has already been properly consented by the musical's creators/management. One you have this, put it in a binder that is easy to keep together, keep a pencil with you (mechanical is best; no sharpener needed), and keep copious notes on the pages as you go!
Third: Equipment
Go through you music and figure out everything equipment wise that you need. What pedals (chorus, reverb, tremelo, wa-wa, etc) does it call for? What instruments (electric guitar, acoustic guitar, ukulele, etc) does it call for? Write all this down and see if you need to pick up some more gear. If money is tight (and it always is), make a judgment call on what is necessary and what you can do without.
Often, I come to the first rehearsal with one guitar and an amp. I add a few things as I go to round out the sound and flavor. One show I ended up with four pedals, two amps, electric and acoustic guitars, a banjo, and a tenor ukulele. It took me an hour just to set up!!!
Fourth: Finding the Hard Parts
One of the first things I do after I've gotten the music situated is finding what I need to work on. This can be done without even having the guitar in your hand. In fact, it should be. Get a piece of paper and go line by line through the entire book. Look for melody parts or hard rhythms that you will need to practice. Right down the song, page number, and measure(s) of the part you found. Now, when you practice (and practice you must!) use this as your outline. Master every one of those parts as licks and you will eventually be able to play them easily when it comes in rehearsal.
Fifth: Practice
Seriously, practice. Don't wait for rehearsal. Practice on your own in a quite place where you aren't too distracted and go over the hard parts from above over and over and over and over. Keep up at it.
Sixth: Rehearsal
Pay attention to the director!!! The director is your boss. What they say about tempo and style goes. If they don't like what you are doing, then change it how they see fit. I know it isn't very creative, but it's the way it is.
As you rehearse, keep notes on what you are having trouble on and make sure to practice when you are back home. Pay close attention to how you sound in relation to everyone else. Some of your parts may overlap others some may be solo. Make sure you can hold your own where it's needed and blend!!!
Seven: Keep it Fun
This is one of those sacrosanct rules of guitar. If it isn't fun, it isn't playing guitar. There can be a lot of stress, but in the long run it will be worth it.
When I first started doing this a few years ago ("Crazy for You"), I didn't know what I was getting into. Musicals are a different type of performing and will challenge even the most seasoned guitarist. Unfortunately, there was no how to guide for getting me ready, so I went it seemingly alone. But, as I went through my routine for preparing for rehearsals, I realized I should really share for those attempting to get into this realm of guitar.
Before I get into the routine, I feel I should preface a little more. It takes a lot of skill to play musicals. I don't, however, want this to discourage you from attempting one should you get the opportunity. You should just know that you are getting into some heavy stuff. You'll need a couple of skills to really be successful at musicals. I didn't have all of these when I started, but I've developed them over time:
- Ability to read notes. Even if you can't sight read. You should at least be able to read them off the page and transcribe them to tab so you can play them.
- A healthy collection of chords. CAGED system is a basic must; make sure you can move them up and down the neck. Also, it would be good to have some Freddy Green style chords (like drop 2 and drop 3 chords).
- Performance level instrument and amp. This should be a no brainer, but it's worth pointing out. You don't need to spend thousands to get this, but you do want something above an entry level setup.
- Ability to play well with others and follow direction. If you are a metal rocker, you may not work out here... The director sets the tempo and you are in an ensemble. You have to know your place and be able to blend well. This is something that everyone struggles with even after years of playing.
First: Listen and Watch
If you happen to be playing a popular musical, odds are there is a video and a soundtrack out there. Go find it and make sure you pay attention. Remember that musicals use the music to tell the story so you want to understand what the song is about and what is going on. It might even be worth it to take a few notes.
Second: The Music on the Page
When you get your music, make sure it is in a format where you can make notes on it as you go. This may mean that you have to bend the copyright rules a little and copy the music if it is in a book. It's actually okay to do this as long as you are only using it for the show that has already been properly consented by the musical's creators/management. One you have this, put it in a binder that is easy to keep together, keep a pencil with you (mechanical is best; no sharpener needed), and keep copious notes on the pages as you go!
Third: Equipment
Go through you music and figure out everything equipment wise that you need. What pedals (chorus, reverb, tremelo, wa-wa, etc) does it call for? What instruments (electric guitar, acoustic guitar, ukulele, etc) does it call for? Write all this down and see if you need to pick up some more gear. If money is tight (and it always is), make a judgment call on what is necessary and what you can do without.
Often, I come to the first rehearsal with one guitar and an amp. I add a few things as I go to round out the sound and flavor. One show I ended up with four pedals, two amps, electric and acoustic guitars, a banjo, and a tenor ukulele. It took me an hour just to set up!!!
Fourth: Finding the Hard Parts
One of the first things I do after I've gotten the music situated is finding what I need to work on. This can be done without even having the guitar in your hand. In fact, it should be. Get a piece of paper and go line by line through the entire book. Look for melody parts or hard rhythms that you will need to practice. Right down the song, page number, and measure(s) of the part you found. Now, when you practice (and practice you must!) use this as your outline. Master every one of those parts as licks and you will eventually be able to play them easily when it comes in rehearsal.
Fifth: Practice
Seriously, practice. Don't wait for rehearsal. Practice on your own in a quite place where you aren't too distracted and go over the hard parts from above over and over and over and over. Keep up at it.
Sixth: Rehearsal
Pay attention to the director!!! The director is your boss. What they say about tempo and style goes. If they don't like what you are doing, then change it how they see fit. I know it isn't very creative, but it's the way it is.
As you rehearse, keep notes on what you are having trouble on and make sure to practice when you are back home. Pay close attention to how you sound in relation to everyone else. Some of your parts may overlap others some may be solo. Make sure you can hold your own where it's needed and blend!!!
Seven: Keep it Fun
This is one of those sacrosanct rules of guitar. If it isn't fun, it isn't playing guitar. There can be a lot of stress, but in the long run it will be worth it.
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