Swing Guitar - Part Nine

The Soloing primer

As an additional appendix to the swing guitar workshop, I wanted to provide students with the bare bones approach to soloing so they would have a jumping off point.  That being said, the truth is sort of grim:  There is no easy method to soloing.  Every method I have ever seen or studied takes time and effort to master.  That said, when I got started in soloing (which wasn't long ago) I found a few things pushed me ahead further than others.  Here are a few of those techniques.

First and foremost, I can't recommend enough that you learn the melody (also referred to as the head) to any song you are soloing over.  The melody is full of every element that will make a solo sound good and should NOT be overlooked as a starting place.  In fact, in many styles of music (i.e.: bluegrass, swing) playing the "head" of the song perfectly is considered to be the best solo you could possibly do.

In order to get the dexterity up and muscle memory to really make learning melodies easy and then creating solos, the best place I know to start is the major scale and its modes.  Now, I'm not going to advocate that you spend hours and hours trying to remember and play each of the modes by name.  However, I do advocate learning to see the major scale in five positions on the neck.  This is how I approach it and it has done me a ton of good.

Basically, we are playing the major scale and extending it across the finger board both up and down as far as we can while staying within a given position.  Each of the positions is named for the degree of the scale which they start on.  So, for shape 5, we start on G since G is the 5th degree of the C major scale.

After you have mastered the five positions, a good next step is to work through arpeggios within those shapes.  Arpeggios are another lesson altogether so we won't get too much into it here.  But, they are incredibly useful as a soloing tool since they will basically outline the chord changes in a tune as you play!

But don't stop there!  As you go, you should look for other scales to build solos from as well.  Scales like minor and major pentatonics, harmonic minors, whole tones, and blues scales just to name a few.  With each new scale, try to play solos using only those scales and really work it up in the woodshed.

Another key part of soloing is building speed.  The best way I know to do this is to go slow and use a metronome.  Remember that guitar playing is just like any other physical activity in that we have to build up muscle memory in order to sort of automate ourselves.  By practicing things slowly and accurately, you will build up that muscle memory so that when you speed things up, you will be more accurate and sound better.

Lastly, just a couple of notes on practicing.  We live in a very fortunate age as musicians because we have access to some awesome practice tools that our predecessors didn't.  Namely, computers and all the great things they do.  I use an iPad when I practice and it has helped a lot.  That said, you don't necessarily need one.  But, assuming you have computer access since you are reading this, I would say you need to have the following:

- Tuner
   * Either a clip on or something on your computer/iPad/iPhone
- Metronome
   * I use one on my iPhone/iPad
   * Small units can be gotten fro $20 at most music shops
   * There are numerous free online metronomes
- Recording software
   * I use Soundcloud and DAW
   * You could also use a digital recorder or a micro cassette recorder
- Backing track software
   * I use iReal Pro and it is amazing for the price.
   * There is also Band in a Box, but it is pricier.
   * I have also found one or two free online backing track makers that are useful.

The biggest need on that list (outside of a tuner of course) is something that you can use as a play along.  Whether you are typing in chord changes that the computer plays back (iReal Pro, Band in a Box, etc) or recording yourself using a digital recorder (or Soundcloud, DAW, etc), having some way to play over changes (chord progressions) is a must.  Once you get a certain shape or scale memorized enough that you can play it fairly regularly, then start trying to play that scale up against a play along backing track.  This way, you can start to hear how the notes line up with the chords.

~Danny

Swing Guitar - Part Eight

My eighth installment of Beginning Swing Guitar is going to be a bit of a review and give you some good reference material to get you moving forward with chords.

So far, we have taken most of our chords from two basic families.  Knowing these two families intimately will be invaluable to you over time and make chord building very easy to do on the fly.

Before we get too far along, take a look at this reference chart.

I've blocked out the regular dominate 7 chords in solid dots and left some relevant intervals (such as b3 or b5) to give you some reference.  You can use this chart to quickly learn and find different qualities of chords.  Use it as a reference at first and then start trying to remember the chords.

Building Extensions

To build extended chords we need to understand what we are meaning by that.  Basically, an extended chord is one beyond a simple 7th chord.  You may have seen these are 9ths, 11ths, or 13ths.  To create one of those chords, we need to understand what the 9th, 11th, and 13th interval is.  Basically, just keep counting.
 

C	D	E	F	G	A	B	C	D	E	F	G	A	B	C
1	2	3	4	5	6	7	8	9	10	11	12	13	14	15

So, if we wanted to add a 9 to a chord to get a nice swingy sound, we would simply find the 9th degree of the scale and put that in the chord.  Since the 9 is the same as the two, we will often replace the root chord with a 9 by going up from the root two frets.  We used that in the previous lesson where a 5-4-3-2 shape with the 3rd in the base became a 9 chord.

Try playing around with the chord shapes, their qualities, and some extensions and putting them into your rhythm playing.